Comments/Ratings for a Single Item
DEMONSTRATION (II)conclusion: In the multi-path model, Marshall (Knight+Rook)is of itself kin to combining apples and oranges, elements from the extremes of the categories. (Knight+Camel) is properly a compound of leapers. Knight plus Zebra is a compound. Rook+Sissa is a compound, in part, making three-path to Rook squares. Cardinal(Knight+Bishop) is a 'pseudo-compound', having combination rules of movement for patenting and also everday purposes. Neither do we consider Bishop+Antelope(4,5 leaper) a compound, but a combination piece. Antelope does not augment the Bishop's move with a pathway, as for instance Crooked Rook would. Disparagingly, 'pseudo-compound' fits also because of improbability that movements combining powers at opposite extremes, namely leaper and one-path slider, could be very effective within one piece. Hence their unpopularity. The term is in nature of argumentative style because more important is accurate description of the rules of movement. So, in our system, there are compound leapers and compound sliders(like QUEEN!) and compound multi-path movers(FALCON, SCORPION, DRAGON, PHOENIX, ROC) and others(like riders), but no compound of Leaper and Slider. Marshall or Cardinal as compounds are misnomers and rather combination pieces.
So, would you prefer a Rook+Nightrider to a Marshall? Or a Bishop+Nightrider to a Cardinal?
George, you've got some things going here that, naturally enough, I don't fully agree with. Let me start by taking issue with the following quote: 'Disparagingly, 'pseudo-compound' fits also because of improbability that movements combining powers at opposite extremes, namely leaper and one-path slider, could be very effective within one piece. Hence their unpopularity.' Contingency, historic accident, is a poor base on which to build an argument of inevitability, and buttressing it with an unsupportable slight does not help convince the skeptical reader. That a piece is worthless, or at least worth little, if it is not in current use by millions of people, is at least historically demonstrable as false. New pieces do arise and are not always popular at first. Think of the genius who first invented the knight move; and then wonder just what his/her friends thought and said the first time that crooked jump move was used on them. How popular was that piece in the beginning? The piece I wish to consider is the combination dabbabah-wazir [DW]. Let me hasten to add that I don't expect this piece to take the place of the knight in 100 years, or anything close. But I do wish to examine some of the potential for this apparently unprepossessing piece, very specifically because it combines a leaping and a non-leaping component. The DW has as its basic moves a 1-square slide or a 2-square jump. If allowed to use both halves of its move, it leaps and steps 1 to 3 squares, an inclusive compound piece [DHowe 'A Taxonomy']. If the piece instead repeats its basic move once or twice, it becomes a limited rider and may move up to 4 or 6 squares. The 3 step DW rider is an interesting medium-range piece that I have not seen examined in any games. I don't have a real combination leaper and multi-square slider there, but the piece may leap once and step/slide 1 square twice in its move, or even slide 3 squares as its move. Will this piece do as a counterexample, George?
Thanks for excellent input and we agree 100% with JJoyce's except one mis-read: instead, 'pseudo-compound' is nothing but innocent undiplomatic, vernacular synonym for combination piece. Yes, very good interesting piece. Chatham's replacements, in our system, are to be developed in Demos III through XX against Carrera's stock.
Waiting on DEMO III against Carrera stock Champion(R+N) and Centaur(B+N), this thread wants to show they are incompletely-examined implementations to those (2,3) plus (1,2)(1,3)(1,4)...squares. JJoyce's generic DW, Dabbabah-Wazir, he describes in number of different implementations. Broadly, they are all 'sequential pieces' whether there are two or three legs, whether repeat Dabbabah-Dabbabah is allowed, and so on. If memory serves, Antoine Fourriere deleted a Comment in 2004 saying he prefers a piece moving to Falcon (2,4 and 3,4) squares by way of two legs: Knight leap then mandatory one-step outwardly to those (Camel) or (Zebra) arrival squares. Differently, JJoyce's legs up to three for this DW are optional. AF's description would also include recent Sissa in the same group of 'mandatory sequential', but 13th C. Gryphon would fall in JJ's 'optional'. Sequential piece, Multi-path piece, Leaper, Slider(one-path) are four fairly distinct categories. No full taxonomy attempted like RBetza or DHowe['A Taxonomy']: ''venture too deep into the jungle of classification'' we used in year 2000 FC article. Now for convenience, we call stock RN and BN 'combination pieces' because made of Leaper+Slider, functional opposites, but 'pseudo-compound' is descriptive as well. Any Leaper is a multi-path form with an infinity of paths, therefore no path at all in automatic shift to an arrival square(s). Any Slider one-path has the potential for other pathways that could be added to piece-move definition. Therefore, multi-path is the linking category or organizing principle. Even the above sequential pieces are built according to definition of particular multi-pathers' units.
Given that the Mad Queen as such is dead. Like many-headed Hydra, a new Carrera derivative most every decade since year 1617. Is Carrera's worthy companion piece? A Hera? Or only weak sister, lady-in-waiting? To extent JJoyce's Comment about 'Rhino' relates to this M/C thread, it suggests Mao and Moa compounded with Rook and Bishop respectively, instead of Knight with either. No secret then where we may well he headed: in place of awkward combination pieces NR and NB, instead overlapping sliders, like Queen itself, making true compounds. We accumulate the evidence in DEMOS, no one necessarily more or less convincing in itself, toward a preponderance of evidence. DEMONSTRATION III: On 3x3 board and all larger 3 K__ __c (rectangular) boards from a legal position, Centaur(BN) and 2 __ __ King cannot checkmate lone King, with latter choosing who 1 __ __k moves first. Champion(RN) can: like one of some seven deadly sins, the fatal flaw asymmetry. DEMONSTRATION IV(symmetry): Ignoring the other back-rankers, consider the Pawns protected by Queen(RB), Champion, Centaur. There is no way to avoid a___a___P___a___aq__qm__q___m___P___m a = pawn protected by Centaur,C x___x___C___x___x___Q __x___M___x___x m = pawn protected by Champion b c d e f g h i at least two unsymmetrical unprotected Pawns, without positioning Champion and Centaur themselves unsymmetrically. That Pawns may subsequently be protected by other piece placement is irrelevant. This asymmetry here again being sign of certain imbalance, or disequilibrium, in power distribution among the pieces.
Subtlety. Subtle T, Sublet, Letups, Upset, Setup: DEMONSTRATION V: Think of Centaur(BN) and n___n___n___n___ ___ ___n___n___n___n Champion(RN)in their Knight mode P___P___P___P___P___P___P___P___P___P Then from most of the starting x___N___C___x___x___x___x___M___N___x arrays with these pieces, there a b c d e f g h i j are eight possible 'Knight' openings: N-a3 or -b3 or -c3 or -d3 or -g3 or -h3 or -i3 or -j3. DEMONSTRATION VI: Think of p___ ___ ___ ___ ___ ___ ___ ___M___ Champion and Queen in their k___p___ ___ ___ ___ ___ ___ ___R___ Rook mode. All four Ranks 1, ___ ___p___ ___ ___ ___ ___ ___R___ 2,3,4 are fully controlled in ___ ___ ___ ___ ___ ___ ___ ___Q___ this (incomplete) endgame by a b c d e f g h i j four 'Rooks' except squares a2 and b2. Subtle. ___ ___ ___ ___C___o___o DEMONSTRATION VII ___ ___ ___o___B___B___o o = control by diagonal w/o capture ___ ___o___o___o___Q___ Think of Centaur(BN) and Queen(RB) in ___o___o___o___o___ ___ their Bishop mode against White's King, o___o___r___o___ ___ ___ Queen, Rook, Rook. Four 'Bishops', q___r___o___ ___ ___ ___ four long diagonals fully under control. k___o___ ___ ___ ___ ___ Overkill.
DEMONSTRATION VIII: (Mate in Four) Black has just played R j5-j4 Check. Black's only other piece is Rook at b8. White has full complement of ten 8 __R__ __ __ __ __ __ __ __ pieces/ten pawns. The Two Rooks Alone 7 __ __ __ __ __K__ __ __ __ checkmate in at most four moves by 6 __ __ __p__ __p__ __b__ __ Rook at j4 in turn capturing any 5 p__ __p__ __p__ __p__p__p__ interposer across the entire rank 4 4 k__ __ __ __ __ __ __ __ __R to White King. At most, in turn, 3 r__ __q__ __ __ __ __ __ __ White Champion(BN), Marshall(RN), 2 p__ __p__ __ __m__ __ __ __c Queen and Pawn-c2 interpose only to 1 __b__ __n__ __ __ __n__ __r be captured. So what? Well, it is a a b c d e f g h i j rather straightforward unpeculiar position(only omitting any other logical Black pieces as irrelevant). Get a feel for how there is simply no subtle move-order for White to consider: Queen first only makes it mate in one or two instead. Whether Marshall goes -e4, -e5, or -e6 same outcome; ponderous, is that not so? Just play abstractly the doomed line of bowling pins across Rank 4 for the awkward constraint RN/BN pair tend to impose. As infinite in variety as tired 8x8 itself they may be, yet Cardinal/Marshall 8x10 positions typically present such rather uninteresting interactions. Cannot future composers find more promising piece material for their skills to work? Are there not some other optimizations than top-heavy ancient Carrera-Centaur and Carrera-Champion?
George, you just might be looking for shorter-range pieces! :-) On a 2D square-units board, there are only 2 kinds of 'shortest distance' infinite sliders, the orthogonal and diagonal, rook and bishop, with the queen of course being both. [For a different take, Graeme has got some interesting things going on a triangular board.] This doesn't leave many options for variety. What you do have are 2 pieces that travel the maximum linear board distance in the least number of squares possible, a 'straight' line of n-1 squares with n = board length. If you're going to cover the same [maximum linear] board distance with a new slider, then the path that slider takes must be longer and more complex that that of the R or B. This makes the game harder, and your critique - who in the real world will play it? - applies. So sliders may have to either be of shorter range or dropped entirely. [One very simple longer-path slider is the 'hook-rook', a bent rook that can cover the entire board potentially in one move. But you don't want that kind of power, I suspect.] Obviously, we both lean toward shorter range pieces, you with the Falcon and me with a proliferation of pseudo-shatranj pieces. But I'm curious just where you're taking this longrange thing, and I'd like to examine the potentialities of the DW as a longrange piece - in another post.
Over here 20.August.07 JJoyce says, 'Think of the genius who first invented the Knight move; and then wonder what his/her friends said the first time that Crooked jump move was used on them. How popular was that piece in the beginning?' Well, In the Beginning, were the Knight, Rook and King -- to be brief and reductionist, not entirely inaccurate metaphorically either. So, those semi-ideal 'friends' would have been well used to the Knight, not the other way around. PAronson may know more about appearance of Knight, or Rook, or King, in early board games Before the Common Era. Pertinently, Shatranj, and Chaturanga before that from year 600, have only those three movers perfectly the same of the six-piece-type method. That generality was the main objection to couple of JJoyce offhand remarks. [Royal Falcons etc. being studied]
Fatally flawed. This thread Joe Joyce and I had fun with for a month 2007. I give five demonstrations that Marshall and Cardinal are fatally flawed. Joyce concentrates on short-range substitutes like his (20.8.07) ''combination Dabbabah-Wazir.''
The point you are trying to make escapes me. What the heck do you mean by 'with the latter determinin who moves first'? K + (BN) vs K is a totally won end-game even on 16x16. With white to move, there are no draws. With black to move, there are of course always draws when the blck King can capture an undefended (BN), and it dos not care much if it was a (BN), (RN) or Q it was capturing... Some of your other aguments seem to be directed against (BN) and (RN) occurring only once in the Capablanca (and related) setup. It says nothing about the pieces per se. You could have said exactly the same thing about Rook and Bishop being fatally flawed, if you have one of each (like in Shogi). Or the Knight and the Falcon. It just doesn't make any sense. So the Cardinal and Marshall are mixed slider-leaper compounds. So what? You seem to judge pieces by the abstract symmetries underlying their design. But the rest of the World judges them for the beauty and marvelous complexity they display in action, when participating in games. You seem to live on another planet...
So (BN) is flawed because it cannot enforce mate on 3x3 now? What kind of reasoning is that? Falcon cannot do that either. In fact, it cannot even move on a 3x3 board. Does that mean it is even more fatally flawed? I think it is a mistake to consider using a different array as creating a new variant. I usually refer to such things as sub-variants. In the WinBoard GUI, 10x8 games like Carrera, Bird, Embassy are all played as 'variant capablanca'. If not actually playing Capablanca, the user will have to provide the opening setup (as FEN). I guess (BN) and (RN) are so popular because their play is appeling in practice, and they blend in well with the usual crowd of FIDE pieces.
Definitely okay but unaesthetic Centaur and Champion(RN) had their eulogy announced 17.January.2008 at Grotesque Chess, where respectfully called venerable and creative for Carrera's time, setting up a 400-year shadow Chess still widely regarded. However, there can be no respect for RN and BN overuse claiming new CVs, as Muller points out. This old thread ''Fatally Flawed'' has each of 10 Demos different, all so far using board positions. DEMONSTRATION IX: Major lack of aesthetics in BN(Cardinal) + RN(Marshall) is being two different pieces. Out of the ordinary Janus Chess uses two BN on 8x10. Where are two RN on 8x10? Practically nowhere, you don't do that, because (notwithstanding exceptions like Janus) the pieces cannot stand on their own hindlegs. Each dependently needs the other somehow presumptively to balance right. What other different pieces more or less are always mated up that way in designs? Very few. (We can think of some later you forget.) For example, Berolina Pawn is not matched 50-50 with Orthodox Pawns (except Overby's). If Templar is any good piece, introduce two Templars (Templar Chess), and at least do not require its accompanying inverse, contrapositive, companion, whatever always. Dreadful Omega Chess even implements two ''Champions'' (WAD) and two Wizards (Ferz+Camel), based on their strengths, such as they are. If Winther's Mastodon Chess new-old piece up to two squares is great, it does not need supporting cast mandatorily.
In support of DEMONSTRATION IX> There is no obligation to use Ultima Chameleon, V. R. Parton Swapper, or Rococo Cannon Pawn with some separate unit systematically. Each is satisfactory stand-alone chess piece for implementations. Fourriere uses Cannon/Canon effectively as one piece in Jacks & Witches. That cannot be done with RN-BN, or you get clumsy over-strong, even more grotesque game-destroying Amazon(B+N+R). Altair two Grand Bishops, Sissa two of each, Centennial two Spearmen, Quintessential two Quintessences, Grande Acedrex two Gryphons -- each pulls itself along by their own bootstraps, unlike the derivational Centaur-Champion. Significant others these RN-Marshall and BN-Cardinal, their peculiar symbiosis and state of affairs until death do they part. You can't have one without the other.
Here second half of 17.January.2008 Comment> ''Let us end the misery putting them down for the last time. Euthenize them, if it were figuratively possible, on the supposition that an idea has life. Creative Pietro Carrera's curiositites, Centaur(BN) and Champion(BN), original for their time, contemporaneous with Shakespeare and Pocahontas, came on the heels of 'defeat' of the Spanish Armada in 1588. Foredoomed in employing overwrought, ineffectual chess-compounds, the stream of copycats for 400 years, one and all, proved destructive of critical skills and subtle play inherent in legendary stand-alone utility Knight. R.I.P., Centaur. Requiescat in Pace, Champion.''
King and Queen are different, and most variants have only one of each. Does that mean you also consider the Mad Queen game flawed, and advocate use of King + Commoner?
I have no idea why any variantist is remotely interested in using anymore Carrera Centaur (BN) and Carrera Champion (RN). On a scale of 1-10 of the major CV pieces with one at the top, RN and BN are ugly at about 8.0. I think most designers would put them right below the middle about 5.5 or 6.0, not so low as I do. They ruin many a CV, and are about as interesting and cumbersome as using mediaeval Alfil (2,2) leaper on a large board. Dutch designer Freeling's Grand Chess, long referred to as great by certain novices, gets no more mention here. Any bifurcator or ShortRange Project piece or Betza ideal-and-practical-values compound lacking full range tops RN and BN in beautiful play as a general rule. It would not be too hard nowadays to start to rank the best 500 CV pieces, and RN, BN and RBN have only historic interest. This thread describes several specific flaws. Tutti-Frutti uses the three horrors together on the standard small board, Amazon, Centaur, Champion. I think Betza and Cohen are doing this more or less facetiously -- harbinger of Betza later post-2000, when he straddled important design and sarcasm. http://www.chessvariants.org/dpieces.dir/tuttifr.html In fact, you would be hard pressed to find two more Betza uses of RN and BN. He grew out of them. By the days of Chess Variant Page Betza stopped using them -- relatively speaking.
The (BN) is actually one of the most wonderful pieces ever designed. The exceptional synergy between the B and N move make it unexpectedly powerful, and this power is wielded with exquisit grace when the piece is properly used. It creates action and excitement on the board, wherever it goes. The only name that does it right would be 'Dancer'. The Mad Queen is a comparatively dull and Boorish invention compared to (BN). The (RN) piece is not so hot. It is a bit clumsy. In Chess with FIDE Pawns, open files tend to be scarce, and orthogonal movers are severely hindered in the middle game, the phase of the game that counts. Diagonal moves run the show. Anyone having watched sufficiently many high-quality games involving these pieces will attest to that. Quite possibly (RN) would be a wonderful piece in combination with Berolina Pawns.
Betza didn't use these pieces together because his goal was to make a variant using the FIDE pieces that was as strong as the FIDE army. You can't have the RN and BN with the Queen if you want to do that. However, in CWDA, Betza added the RN to the “Remarkable Rookies” army and the BN to the “Colorbound Cobblers” army, so he obviously had no problem with the pieces, just with having too many of them on the board at once. Also, look at “Almost Chess”.
Speaking of Betza, I wonder about a Capablanca variant where the knights are different; one is a Betza Crab + Ferz; the other knight is Crab + Wazir. Instead of an Archbishop, we have a Crab + Wazir + Bishop; instead of a Marshall/Cardinal, we have a Crab + Ferz + Rook. Should be about as powerful as the Capablanca army, and allows 252,000 opening setups instead of “only” 126,000 opening setups.
I prefer any of several dozen bifurcators to BN. There is a lot of beauty on the chessboard down to Betza's Half-Duck and Berolina Pawn. I think I should in fact differentiate the distinction H.G. draws. That 1-10, BN is 5.5, about average, among some CV-piece-type 500, and it is the RN, 9.5, that draws down the average for the pair. Pritchard suggests RN to replace RB in Intro 'ECV' but obviously on 8x8 with standard Pawns, BN is the one as good as Queen. I wouldn't want BN on 8x10 or 10x10 to substitute for Queen. I think the best Carrera-style outgrowth is Janus 8x10, dispensing with Champion(RN). Obviously some few still like Centaur and Champion, but they are average to most modern designers. [Sam will have noticed, this comment went up simultaneous as his.]
I suppose it boils down to the strategical dimension. I, too, prefer variants that are more strategical whereas the BN and RN pieces typically enhance the tactical dimension. Capablanca Chess variants are not very strategical but often result in brutal tactics in the middlegame. Nevertheless, I have created a version which utilizes the 'relocation method'. It implies a thorough kill of theory in Capablanca Chess. The Capablanca piece array can in one move be rearranged by the players, creating 144 different board positions. There is a strong Zillions implementation of Capablanca Relocation Chess here. I don't know what it's worth. I did it mostly to promote my relocation method. http://hem.passagen.se/melki9/caparelocation.htm /Mats
I started this thread, among a dozen other threads, over two years ago, because I don't like to write articles for CVPage right now because of their lack of direction. Anyway there are nine Demonstrations of Flawed Centaur BN and Champion RN here. They warrant an article. The biggest flaw is not even here yet thought sometimes mentioned. That is, they are so lame as compounds they don't go paired as individuals but interlocked. You can't have one without the other. Sort of like Schizophrenic Chess has Left Schizzy and Right Schizzy. One reasonable exception is Janus Chess, trying paired BN not without interest. Modern designers avoid the Knight compounds with sliders, because it ruins the regular Knight. Everybody knows that. I lost what respect I had remaining for Seirawan when he and some co-author began advocating their RN-BN drop on 8x8. Real original. To each his own. When Capablanca's name begins to fade, they'll call the things Seirawans, well-deservedly. If, incredibly unlikely, Centaur and Champion turn out to be some next phase, too bad for the CVPage million CVs, since 8x10 Carreras, and 10x10 by implication, have been around since the end of the first full century of the fine small 8x8 Mad Queen, now played out (if it wasn't already in Capa's day). Capablanca had nothing to do with either inception, did he? To call these things Capablancas, in accepted practice, is lifting from prior art.
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