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This page is written by the game's inventor, Jean-Louis Cazaux. This game is a favorite of its inventor.

Bigorra

THIS GAME IS NOT READY TO BE PUBLISHED YET

Alright, this is not my most original chess variant. No new piece wih funny moves or powers here. No, because the goal is just the opposite. I wanted to create a variant where all the pieces I use elsewhere are fighting. Then, there are all pieces from Terachess (II), completed by the pieces from Fantastic XIII. Bigorra is then an alternative to Terachess II, somehow more complex because it has more pieces from more different types.

At Bigorra, the stronger pieces (Queen, Lion, Eagle, Buffalo, Duchess, etc.) are single as at Shako, Metamachy, Pemba, Zanzibar-XXL (Maasai Chess), or Gigachess (II). They do not come in pair as at Terachess.

In addition to a full line of Pawns, there are Soldiers and Trolls which are acting as "improved" Pawns and are balancing the large number of other pieces.

The idea of promotion for some non-Pawn pieces has been kept.

Setup

The board is a 16 x 16 checkered squares with a white one at the right end of each player. There are 80 pieces per side, with 34 different types.

The pieces are:

The pieces are arranged as on the diagram below.

Initial Setup:

Initial Setup:

Pieces

The pieces are familiar to the players of the author's games, such as Shako, Tamerlane II, Metamachy, Pemba, Zanzibar-XXL (Maasai Chess), Fantastic XIII, Gigachess (II), Terachess (II).

King: moves 1 step in any orthogonal or diagonal direction to an unattacked square. The King is in check if it is attacked by one or several enemy pieces. It is forbidden to play a move leaving one's King in check.

There is no castling at Bigorra. On its first move, the King may jump to a free square at two squares' distance. For instance, from h2, it can jump to f1, f2, f3, f4, g4, h4, i4, j4, j3, j2 or j1. It does not matter if the square jumped over is occupied or not; however, the jump is forbidden if that intermediate square is threatened by an enemy piece. When jumping like a Knight, at least one of the two intermediate squares must be free of threat (e.g., if jumping from h2 to j3, either i2 or i3 must not be under attack). The King's jump is not permitted if the King is in check. This rule, which was once prevalent in medieval European chess, replaces castling. Identical to Metamachy.

Queen: slides to any square along the file, the rank, or a diagonal on which it stands. Identical to standard chess.

Rook: moves to any square along the file or the rank on which it stands. Identical to standard chess (except there is no castling).

Bishop: slides to any square along a diagonal on which it stands. Identical to standard chess.

Knight: a (2,1) jumper, it jumps to the opposite square of a 2x3 rectangle. No matter what the intermediate square contains. Identical to standard chess.

Pawn: can move straight forward one or two squares from any position on the board, without capturing. It captures one square diagonally forward. Identical to Metamachy.

Moves of the Pawn

Soldier: it moves as a super-Pawn. It captures 1-square diagonally forward like a Pawn, but moves with no capture either 1-square forward or sideways (left or right). It can also step two empty squares forward from any position on the board. Otherwise, it is identical to the Pawn (same promotion, en-passant capture rules). The first recorded author to have used it is Hirsch Silberschmidt in his “Kriegspiel” chess variant published in 1826. It is used at Zanzibar-XXL (Maasai Chess).

Move of Soldier

Amazon: it combines the move of Queen and Knight. An old idea, used by Russians instead of the Queen in the 18th century.

Move of the Amazon

Marshall: it combines the move of Rook and Knight. It can be found in many, many chess variants since Carrera, Bird, Capablanca and many others like Grand Chess or Seirawan Chess.

Move of the Marshall

Cardinal: it combines the move of Bishop and Knight. It can be found in many, many chess variants since Carrera, Bird, Capablanca, Modern and many others like Grand Chess or Seirawan Chess.

Move of the Cardinal

Admiral: it is another compound piece that moves as a Rook or a non-royal King. That means that it is a Rook that can also step one space diagonally. It corresponds to the Dragon King that is found in Shogi.

Move of the Admiral

Missionary: it is another compound piece that moves as a Bishop or a non-royal King. That means that it is a Bishop that can also step one space orthogonally. It corresponds to the Dragon Horse that is found in Shogi.

Move of the Missionary

Eagle: moves one square diagonally and then slides away an indefinite number of squares vertically or horizontally. It is authorized to go only one square diagonally. It cannot jump, and the unobstructed path must start with the diagonal movement. This piece is almost as powerful as the Queen and is inspired by the Giraffe from Tamerlane's Chess and the Aanca (a mythical giant bird preying elephants, mistaken for a gryphon) from Alfonso X's Grande Acedrex. Identical to Metamachy. You can call it Gryphon if you prefer.

Move of the Eagle

Rhinoceros: moves one square vertically or horizontally and then slides away an indefinite number of squares diagonally. It is authorized to go only one square along its rank or file. It cannot jump, and the unobstructed path must start with the orthogonal movement. This piece is inspired by the Unicorn of medieval Grande Acedrex. It is a counterpart of the Eagle. Also called Manticore.

Moves of the Rhinoceros

Lion: moves as a King (a single step move in any direction as Wazir or Ferz), or may jump to a position two squares away, jumping in any orthogonal (Dabbaba) or diagonal (Alfil) directions, or jumping as a Knight. (Inspired by Chu Shogi, the most popular variant of the Japanese Chess, where the Lion has the same range but is more dreadful as it can move twice in a turn). Identical to Metamachy.

Moves of the Lion

Centaur: it is another compound piece that moves as a Knight or a non-royal King.

Move of Centaur

Camel: a (3,1) jumper, it jumps to the opposite square of a 2x4 rectangle, like an extended Knight. No matter what intermediate squares contain. Note that it always stays on the same color of square. A well known piece from medieval Muslim great Chess like Tamerlane's Chess. 

Moves of the Camel

Giraffe: a (3,2) jumper, it jumps to the opposite square of a 3x4 rectangle, like an extended Knight. No matter what intermediate squares contain. Note that it always changes the same color of its square. That piece is found in Alfonso X's Grant Acedrex (but its move has been rendered differently by 20th century historians). The same pattern, but with a non-jumping move, is found in Janggi, Korean Chess, for the Elephant. Under the name of Zebra, it is also a fairy piece used by problemists for compositions.

Moves of the Giraffe

Buffalo: combines the leaps of the Knight (2,1), the Camel (3,1) and the Giraffe (3,2).  

Moves of the Buffalo

Cannon: exactly as in Xiangqi. The Cannon moves without taking like a Rook, but it takes by going in a straight horizontal or vertical line and jumping over exactly one piece. When a Cannon takes a piece, there must be exactly one piece between the original and final square of the Cannon's move - this piece may be of either color. This is identical to the move of the Cannon in Shako and Metamachy.

Moves of the Cannon

Crocodile: it is the diagonal counterpart of the Xiangqi's Cannon. It moves like a Bishop (which was named Crocodile in Grant Acedrex) and needs an intermediate piece between itself and its victim to capture it. The Crocodile jumps the intermediate and takes the victim on its square. The intermediate is left unaffected. Also known as Vao by problemists. It may be represented by an Archer as well.

Moves of the Crocodile

Machine: it is an orthogonal counterpart of the Elephant as it moves 1 or 2 squares orthogonally, jumping over the first square if it is occupied. Then, it combines the moves of old Dabbaba and Wazir found in ancient Muslim Chess variants. The word Dabbaba designated a siege machine at war in Arabic, hence the name given for this piece.

Moves of the (War) Machine

Elephant: exactly as in Shako and Metamachy. It moves one or two squares diagonally. When an Elephant moves two squares, it doesn't matter what the intermediate square contains. Note that it always stays on the same color of square. The Elephant moves as the combined Alfil and Ferz from Shatranj, two pieces which were also present in mediaeval Chess and have disappeared with the birth of modern moves for the Bishop and the Queen.

Moves of the Elephant

Prince: a non-royal King who moves and captures one square in any direction, but without being hindered by check. It has been inspired by medieval games like the Courier chess, an old chess variant, played in Germany, where it is called "Man". Like the Pawn, it can also move without capturing to the second square straight ahead. 

Moves of the Prince

Sorceress: it moves like a Queen and needs an intermediate piece between itself and its victim to capture it. The Sorceress jumps the intermediate and takes the victim on its square. The intermediate is left unaffected. Like the Queen is Bishop + Rook, the Sorceress is Cannon + Crocodile. Called Leo by the problemists, it is used at Zanzibar-XXL (Maasai Chess).

Moves of the Sorceress

Duchess: it moves as a limited Queen, one, two or three squares in any straight directions. When moving two or three squares, it may jump and it does not matter what any intermediate squares contain. It is used at Zanzibar-XXL (Maasai Chess).

Moves of the Duchess

Troll: it makes a 3-step orthogonal or diagonal jump, no matter what any intermediate square contains. In addition, it moves 1 step forward and captures 1 step diagonally forward (like a Pawn). This permits the Troll to reach any square on the board. It can promote only when it moves like a Pawn, never by jumping 3 squares. It is used in Fantastic XIII.

Moves of the Troll

Snake: it moves one square vertically and then, slides away of an indefinite number of squares diagonally. It can not jump and the unobstructed path must start with the vertical movement. The Snake is the counterpart of the Ship. Both pieces are constrained bent-riders because the vertical direction is favored compare to the horizontal one in the definition of their moves. (The name of this piece comes obviously from its move in shape of snake's tongue, an idea inspired from Eric Silverman and Ralph Betza). Also used in Fantastic XIII.

Moves of the Snake

Ship: a piece also used in Tamerlane II. It moves one square diagonally and then, goes away of an indefinite number of cases vertically, never horizontally. It can move one square diagonally only. It can not jump and must begin its move with the diagonal step. The Ship is more limited than the Eagle (which can move horizontally, see below). Nevertheless its power is between the Rook and the Bishop. Also used in Tamerlane II and in Fantastic XIII.

Moves of the Ship

Hawk: it jumps horizontally, vertically or diagonally two or three squares, leaping over the intermediate squares if they are occupied. (A piece invented for Musketeer Chess). Also used in Fantastic XIII.

Moves of the Hawk

Mammoth: it steps horizontally, vertically or diagonally one or two squares, leaping over the intermediate square if it is occupied. (This piece was first proposed as  a Pasha for Paulovits Game in the 1890s and was used as Mammoth or Mastodon by Mats Winther). Also used in Fantastic XIII.

Moves of the Mammoth

Squirrel: also a compound piece that jumps as a Knight or jumps at 2 squares, diagonally (like an Alfil) or orthogonally (like a Dabbaba). Also used in Fantastic XIII.

Moves of the Squirrel

Cheetah: it is another "ring" leaper which jumps on any square situated at 3 squares distance from where it stands. (This piece was such named first by Eric Silverman). Also used in Fantastic XIII.

Moves of the Cheetah

Saber-Tooth (Tiger): It  jumps on any square situated at 2 or 3 squares distance from where it stands. The Saber-tooth is a “double-ring” leaper: it combines the powers of the Squirrel and the Cheetah, meaning that it can leap at any square at two or three-square distance from the square where it stands. Also used in Fantastic XIII. This piece may also be represented by a Werewolf.

Moves of the Saber-Tooth

Rules

Several pieces can get a promotion at Bigorra when reaching the last rank of the board. Promotion is immediate, compulsory and cannot be refused.

En Passant capture: Any time a Pawn, a Soldier or Prince takes a double step and passes through the capture square of an opposing Pawn or Soldier, that Pawn or Soldier may capture the Pawn, Soldier or Prince as if it had only moved one square. This en passant capture must be made in the move immediately following the double step. Only a Pawn or a Soldier may capture en passant; the Prince does not have this option.

End Of Game: The end-of-game rules, checkmate, stalemate, etc., are identical to standard chess.

Notes

The photographied pieces are 3D printed pieces (with PLA), made from my own designs. I have tried to maintain some harmony between them, respecting a "Staunton" style and paying attention to their relative height and base diameter. Those designs are available on Thingiverse.


This 'user submitted' page is a collaboration between the posting user and the Chess Variant Pages. Registered contributors to the Chess Variant Pages have the ability to post their own works, subject to review and editing by the Chess Variant Pages Editorial Staff.

By Jean-Louis Cazaux.

Last revised by Jean-Louis Cazaux.


Web page created: 2023-07-20. Web page last updated: 2023-08-06

Revisions of MSbigorra