Chess on a Tesseract
Way back in the 1970s, while I was playing the 3D variant called Strato Chess, I started to wonder (as others here have done) if the dimensions of the game couldn't be extended to four or even five. It took some time to figure out, so I set the idea aside.
Eventually, upon learning about such figures as the tesseract and penteract, I started to think about how we three-dimensional beings would interact with such things. I even started writing a story about a group of people trapped in a structure built around a pentaract (with similar effects to what I'm about to describe).
It was only relatively recently that I managed to put the two ideas together. The play is, at one level of thought, as two-dimensional as orthodox chess; but on another level, it still uses four dimensions of movement.
The Geometric Concept
This game is played, ostensibly, on the two-dimensional "faces" of a tesseract. To help understand how that works, let's subtract one dimension, and consider the edges of a cube.
Suppose this game were to be played in such a way (and I wouldn't put it past the contributors of this site to come up with one). When a piece reaches a corner, there are two other edges that it continue onto. How does one choose which to go to?
The principle is the same here. Each edge of a face meets an edge of two other faces; when a piece goes off the edge of a face, the player chooses which of the two connecting faces it goes to.
To help players keep track, each face has a two-digit coordinate code to indicate show where it is. Each digit is from 0 to 6, and (with the exceptions of 10-60) each code is written with the smaller digit first. Other than where 0 is involved, no combination of two digits appears twice.
The initial codes have two main cubes, parallel with one another, with their faces numbered 1-6 like a game die so that opposite sides add up to 7. The cube for White adds a leading 0, while the cube for Black adds a trailing 0. All other Faces are numbered according to the two faces they connect to; for example, Face 35 is between faces 3 and 5 on both cubes, connecting with 03 and 05 on one end and 30 and 50 on the other, then with 13 and 15 on one side and 36 and 56 on the other.
The challenge is showing this, of course, is that tesseracts are very difficult to illustrate in the two dimensions of a computer screen (or a sheet of paper) -- much more so than cubes. (If cubes could be trained like dogs, tesseracts would be cats.) Despite this, these two illustrations should give at least a general idea of how this works:
The next two illustrations show, from a completely different perspective, only the Faces where White and Black set up.
As indicated above, a piece leaving Face 01 in the direction shown as down and left in the above illustration would have a choice of going to Face 05 or Face 15. Similarly, a piece leaving Face 40 in an upward direction (as seen in the second illustration) would choose to go to either Face 46 or Face 60.
Setup
Boards
The 24 Faces of the tesseract are each made up of a 5x5 board. The corner spots of each board are blacked or whited out; no piece may enter or pass through them.
In a physical game, the boards can be laid out however you wish, though a recommended layout is presented below. Each should have an indicator as to which Face it represents, and a guide on each edge as to which two Faces it leads to.
Pieces
In the figure above, White sets up on and around Face 01, while Black sets up on and around Face 60. The setup is essentially identical for both, so only White is illustrated.
On each Home Face, the King goes in the center. Orthogonally adjacent, he's flanked by two Nightriders; each has a Queen clockwise from it, and a Bishop counterclockwise. The remaining two spaces next to the King are filled by an Archbishop and a Chancellor. The outer spaces, going around from the corner next to each Bishop, are filled by a Rook, Knight, Bishop, Archer, Knight, and another Rook.
These may be rotated however the player prefers, including reversing direction (for a total of 8 possible setups). Black and White need not set up identically.
Adjacent to each side of the Home Face are two more Faces; these eight are the Territory Faces. On the edge of the Face adjacent to the Home Face, each player has a Berolina Spear, flanked by two Arabian Spears. The next row over has three Standard Pawns, one in the center and one at each end, with Berolina Pawns filling the other two spaces.
Physical Setup
While this may seem overwhelming, it's quite possible to set this game up for a face-to-face contest. It would require a large 3D setup, however.(Further explanation, instructions, and better illustrations yet to come.)
Pieces
Each player is equipped with the following:
- 1 King
- 1 Archbishop
- 1 Chancellor
- 2 Queens
- 2 Nightriders
- 2 Archers
- 4 Bishops
- 4 Knights
- 4 Rooks
- 8 Berolina Spears
- 16 Arabian Spears
- 16 Berolina Pawns
- 24 Standard pawns
The pieces with links are either orthodox Chess pieces, or pieces familiar to most chess variant aficionados; the articles explain the moves. The other three pieces:
Archer: Moves two spaces diagonally, or "rifle-captures" (captures without moving) a Knight's move away.
Arabian Spear: A sort of "Pawnrider," moves without capture directly forward like a Rook, or captures forward like a Bishop.
Berolina Spear: Moves without capture forward diagonally like a Bishop, or captures directly forward like a Rook.
Pawn/Spear Movement
For Pawns and Spears, moving forward means whatever direction takes the piece closer to the opponent's Home Face. This means that the Spears will infrequently, and the Pawns almost never, move to any of the Open Faces or Opposing Faces; the shorter route from any Territory Face (where the Pawns and Spears start) to the opponent's Home Face always is always through an opponent's Territory Face. Where there's a choice between going to an Open Face or the enemy's Territory Face, or between the player's Territory Face or an Open Face, choosing the latter (in each pair) is mandatory.
Should a Pawn or Spear go to an Open Space, the closer direction is toward the nearest edge that leads to an opponent's Territory Face. If two (or more) are equidistant, the player may choose which way is forward.
On an Opposing Face (06 and 10), all directions are equal; Pawns and Spears suddenly have four-directional movement on these Faces, until they leave.
Rules
As noted above, when a piece reaches the edge of a Face, the player chooses which of two neighboring Faces it continues to. The move is as seamless as if the boards for the two Faces were set against one another.
The board setup makes Castling impractical, if not impossible. However, en passant is used with the Pawns (Standard and Berolina), though not the Spears.
In terms of the endgame (checkmate, stalemate, etc.), all standard rules are observed.
Both types of Pawn and both types of Spear promote upon entering the opponent's Home Face. They may promote to any type of piece that's used in the game, except of course for the King and other Pawns or Spears.
Notes
As a person on the autistic spectrum, one of the "plusses" I experience is the (generally useless) ability to, with some effiort, visualize four-dimensional space (or, with much effort and if the geometry is simple, even five; six is beyond me). Thus, I can visualize the actual tesseract in this game, while most if not all other people could not.
This was initially presented not so much as an actual, playable game, but as an exercise to help others visualize and understand higher spatial dimensions. As I've developed the game (with much help from Fergus Duniho and others), I found that a practical playspace would be very possible, and might even be easier to play on than a computer setup. The structure mentioned here is the theoretical version of that, but I hope to give it an actual try before long.
About That Story
The short story I mentioned in the Introduction got started, and I knew the ending as well as most of the plot points but never actually completed it past Page 2. It really was a story meant to explore the concept of moving around the three-dimensional aspects of five-dimensional space in the same way that this game explores two-dimensional aspects of four-dimensional space; one added feature was that, depending on the route one took, one could re-enter a room with "up" in a different direction than when one left, leading to some rather Escher-esque moments.
This 'user submitted' page is a collaboration between the posting user and the Chess Variant Pages. Registered contributors to the Chess Variant Pages have the ability to post their own works, subject to review and editing by the Chess Variant Pages Editorial Staff.
By Bob Greenwade.
Last revised by Bob Greenwade.
Web page created: 2023-09-12. Web page last updated: 2023-12-16